For all the joys London has to offer, the best is the Westend. One of the few shortcomings of Colombo is the lack of regular high quality theatrical and musical productions. You get the odd good show from time to time, but nowhere enough to do justice to the talent that I am confident is abundant in Sri Lanka. So the Westend to me was a whole new world. I got my first taste of it in July last year when I watched Phantom at her Majesty’s theater when I was here on holiday. I spent much of the time gaping like a goldfish at the splendor of the set. I was hooked. I knew that one thing I had to do over the course of this academic year was to catch as many of the Westend shows as budget and time allowed. I’ve done a fairly good job so far, the following is a taste of what I’ve seen.
Phantom of the Opera - I saw this last year with my mother before I started university. Phantom is a classic. It combines an amazing set (make that several amazing sets, starting with the breathtaking elephant scene, the falling chandelier, the sublime boat scene, the amazing costumes in the masquerade and many many others), top notch opera and a quite decent story. Everything about Phantom is larger than life, everything is so glamorous. I’m not a big fan of Opera myself, but unlike most operas i’ve been to, the story in Phantom is easy to follow. The musical score is excellent, and the musicians did it justice on the night. Songs like Angel of Music, Music of the Night and the Phantom of the Opera are brilliant. I can’t think of too many criticisms, except that it possibly ran 15 mins too long. Phantom is one of those must sees, I’m really glad it was the first of the Westends that I saw, bc it’s a great introduction.
Stomp - My westend partner in crime is my housemate, and our first target was Guys and Dolls, which she really wanted to see. Unfortunately the show was sold out so we hopped a tube from Picadilly circus to the Strand to see if Chicago had any vacant seats. Apparently not. Close by another show called Stomp was showing, and I had heard it was unique and fun so we thought what the hell. The trick with the Westend is to go an hour before the show and in most theaters they will give you the best seats available for under half the usual price, if you are a student (or particularly old). This is a good thing bc otherwise tickets are fairly pricey, the decent seats are upward of 35 quid. So Stomp, managed to get ok seats and settled down to expect the unexpected. It’s difficult to classify Stomp, it’s certainly not a musical, it’s not a play and it’s not comedy. I guess the only way to describe it is performance. There’s no story in Stomp, what they try to do is to make music out of everyday objects from brooms to pencils to dustbins to sinks, and throw in some athletic dancing and drama. There’s a group of about 8 performers who do this over several scenes from the work place. Some of them are real characters who without speech manage to create humour using mime, a bit of slapstick (not too much) and general comic timing. Timing. That’s the key to Stomp, everything is beautifully choreographed, the performers work together beautifully and all in all pull off a show out of pretty much nothing. That’s what is most impressive about Stomp, they use very limited props and create “music”, rhythm, dance and a show. The most memorable scenes were the emptying sinks and the massive drum fest at the end. The only criticism is that sometimes the noise gets slightly too loud and you might get a bit of a headache. But in general great fun, great rhythm and great entertainment. And utterly unique.
Lion King - We caught Lion King on another failed attempt to see Guys and Dolls. This time hopped the tube to Covent Garden at 7.20 to catch the 7.30 show, we got £45 tickets for £17.50, a superb deal in any book. Squeezed in at 7.30 for the opening scene, The Circle of life. I don’t think i stopped smiling from that moment. The stage and the set is massive and elaborately done, the music excellent (loved the drummers on the sides) the costumes are brilliant, the little baby elephant is probably the cutest thing you’d see at the Westend (the hyena costumes were slightly dodge though).The nice thing about Lion king is that most ppl know the music already so you can sing along to yourself (if like me your voice is best limited to the shower) and the music is really really nice. I was a bit apprehensive about it at first bc I had a feeling it might be slightly kiddish. And though much of it would appeal to kids, there’s plenty in there for the older ppl too. The one thing that was not too flash about Lion king was some of the acting, not to say that it was bad, but it wasn’t stand out as such. In summary, Lion King: Costumes, set, music and fun.
The Woman in Black - Went to watch this pretty much bc of a deal on lastminute.com. Got £30 tickets for a tenner. The web is another ok place to buy tickets, specially lastminute’s website has good stuff and some decent deals on something or the other at some point. Another way to get tickets cheap is to go to Leicester sq or Covent garden on the day of the show and buy from one of the many places selling theater tickets (it’s hard to miss, they’re well advertised). (But then I know ppl who’ve lived in London for 1.5 years but don’t know how to find China Town in Leicester sq). That said, Women in Black was a real dark horse (pardon the pun), very pleasantly surprised at the end of the show. The story is a quite basic ghost story, and one would expect a rather elaborate set and special effects in order to pull off an appropriately chilling theatrical horror. But no, Woman in Black was probably the most minimalist production of the ones I saw. It involves very basic props, just 2 actors who play all the roles, and one ghost. The story is chilling enough, but what really makes the show tick is the acting. It’s quite simply very high class suspense acting and good use of sound effects. It isn’t as scary as they make it out to be, but it’s scary enough. It would however have been even better if the final twist was a bit more subtle, most ppl guessed it half way through the show.
The Producers - An outstanding musical comedy. Again went to this based on some good reviews and recommendations without knowing what it’s all about. It’s a Mel Brookes production and originally starred Matthew Broderick and Nathan Lane (found this out yesterday). A very brief synopsis is as follows. A fallen from grace Broadway producer realises that productions that flop can be used to quietly embezzle cash since the money boys don’t pay much attention to them. So he goes about trying to assemble the worst possible production, the worst play (Springtime for Hitler), the worst actors and the worst director. The story follows this production process and culminates in the actual play itself which is simply hilarious. There’s a bit of slapstick (again not too much), a bit of profanity, a lot of potentially insulting innuendos but all very classily amalgamated into a fine performance. I laughed pretty much non-stop, though the second half dragged ever so slightly (the prison scenes were out of place). My favourites were within the performace of Springtime for Hitler, including the Swastika scene, the girls in the tanks and Hitler’s brilliant emergence. The score is witty and original, the set is again impressive and plenty of humourous detail obviously went into the costumes. Overall, extremely funny, and a must see for anyone with a sense of humour.
Chicago - Chicago is all about the music. They have a quite brilliant band which takes an unusual position on the stage itself reflecting their critical role in the production. The conductor himself is quite a character, he jumps around, and really knows how to work the crowd. The story isn’t remarkable, nor are the costumes, the set isn’t elaborate but they make excellent use of the available space and props. But I can’t reiterate enough the significance of the music. I strongly recommend having a listen to the songs prior to watching it bc you can then sing-a-long and enjoy it all the more. I particularly loved the songs All that Jazz, Mr. Cellophane, Razzle Dazzle, The Cell Block Tango and We Both Reached for the Gun. The voice of the guy playing Mr. Flynn is amazing, Roxie and Velma are both impressive singers though they didn’t quite look the part. But maybe I’m expecting too much after Mrs. Zeta-Jones. For me the jazz band stole the show comprehensively, they really bring the performance to life, helped by a brilliantly written score in most places. It’s also a really good idea to buy the CD of the official London recordings, though it’s a bit pricey at £15, it’s certainly worth it. Anybody who likes jazz, big bands, swing music, or just girls in tight see through clothes, go watch Chicago at the Strand.
That’s all I’ve seen so far. I’m very keen on watching Les Miserables and Guys and Dolls, and I’m likely to end up watching Mamma Mia, Sinatra (coming Tuesday if all goes according to plan) and maybe Billy Elliot. Will post on these in due time. Until then, check out The London Theater Guide for a gateway to the Westend.